Vaganova Ballet Academy is pleased to announce the start of registration for official and authorized Master classes that have been scheduled to take place during the summer break – 2018 in Italy, in Spain and in Japan.
ITALY, July 3 – 13, 2018
Vaganova Academy International Summer Course 2018 in La Spezia, Italy
Organizer: Accademia La Maison de la Danse (LMD)
Via Fontevivo 21/N - 19125 La Spezia – ITALY
Registrations close on May 31, 2018
SPAIN, July 2 – 22, 2018
Russian Masters Ballet Camp
Organizer: Asociación Nacional de Ballet Profesional
C/Santa Gema, 18, 30840 Alhama de Murcia, Murcia, Spain
July 1 – 8, 2018
Vaganova Academy International Course “Masters and Youth”
Organizer: Apollo Arts
P.O. Box 998
12585 Rices Crossing Road
Oregon House, California 95962 USA
Phone: +1 530 692-9044; cell: +1 530 339-5106 (Natasha Gamolsky Radinskaya, Artistic Director)
Phone: +1 530 692-3153 (Jean Taylor, Coordinator)
Tokyo, July 12 – August 13, 2018
Organizer: Ars Tokyo
Osaka, August 8 – 13, 2018
Nara, August 17 – 24, 2018
More information upon request: firstname.lastname@example.org
February 2018 will be sated not only with lessons, but also foreign tours for students of Vaganova Ballet Academy.
On February 6 and 7 students of the Academy will dance in Gala concerts in Switzerland – at first in Zurich (6), and then in Lausanne (7). From Switzerland a part of children will take off for Japan where they will dance in Tokyo on February 11.
The second part of the month will be devoted to Italy and the "Russian Seasons" passing there this year.
There will be a performance at Teatro Goldoni in Venice on February 12, and then the performance will be given on February 15 – in Asiago. Here, in Venice and Asiago, Masterclasses of Vaganova Ballet Academy will take place also.
On February 24 five students of the Academy will take part in a concert in Florence. Here, in Florence, on February 23 Vaganova Ballet Academy will give a ballet audition to offer direct access to students in the school year 2018/2019. Also, Masterclass for professional training in ballet Vaganova Technique will take place in Florence on February 24.
Finally, the big Gala concert will be given in Naples on February 26.
From the 11th till 15th of December, 2017 the Vaganova Ballet Academy hosted master-class for students of the Cheng Ballet Academy (Singapore). Classes of classical, character and historical dances were organized for them. Also, young Singaporeans were able to watch classes of Vaganova Ballet Academy students.
Two representatives of Vaganova Ballet Academy will participate in ballet contest Prix de Lausanne, which will take place from January 28 till February 04, 2018 a 46th time.
Ervin Zagidullin, a student of level 8 (teacher - Fethon Miozzi) and Davide Loricchio, an international trainee from Italy (teacher - Fethon Miozzi) passed the first tour of the contest and has joined the list of 78 participants of the next tour. Three hundred eighty dancers from 38 countries of the world participated in the first audition tour.
Ervin Zagidullin and Davide Loricchio.
On December 1 charity event Hermitage combines friends was held in Hermitage theatre. Following the tradition, students of Vaganova Ballet Academy participated in the charity event.
In an event program prepared for children with disabilities was a concert, where our students performed the third act of the ballet Nutcracker (choreography by V. Vaynonen).
Before the start of concert Artistic Director of the Academy Zhanna Ayupova and General Director of the Association of public organizations 'Great Bear', Aleksandr Zimin has had a speech to welcome guests.
Zhanna Ayupova and Aleksandr Zimin.
Photo by V/ Vasiliev.
On November 10 the Head of the Imperial House of Russia the Grand Duchess Maria of Russia visited the Vaganova Ballet Academy and was acquainted with the history of the oldest choreographic school in Russia. She visited one of the male classes at the VBA and presented the medal “In Memory of the 400th Anniversary of the House of Romanoff, 1613-2013” to the Rector of the Academy Nikolai Tsiskaridze.
Photos by V. Vasiliev.
Bénédicte Windsor ballet teacher and founder of the centre Artys (Annecy, France) has visited the Vaganova Ballet Academy today to meet Professor Marina Vasilieva who was a pedagogue of Léa Thomasson at the Academy (Bénédicte Windsor was one of the teachers of Lea Thomasson in France). Léa has completed her training program for International students at the Academy this summer and got an invitation to join the Mariinsky Ballet. Now she can be seen on the stage of the Mariinsky Theatre.
Bénédicte Windsor with Marina Vasilieva and her students (7/II).
Photo by V. Vasiliev.
Every year students from all around the world arrive at Vaganova Ballet Academy to study on the International Trainee program. Fourteen trainees of the Academy got certificates in 2017, some of them were invited to join Russian theatres. For example, Alexander Lewis Blend has joined Yacobson Ballet Theatre; Lea Thomasson (France) and Raul Ferreira (Spain) was invited by Mariinsky theatre; Oscar Frame (Great Britain) - by Moscow Bolshoi theatre.
In his interview for melmoth.co Oscar Frame told: 'The invitation from the Bolshoi was quite overwhelming. Graduating and getting job offers had been something I had thought about and imagined for so long that I couldn’t quite believe it was real. Then, when I had offers from other companies as well, I just had a sudden sense of vertigo. I talked to my parents who just told me to trust Nikolai. They said that he was responsible for the biggest improvement in my dancing in five years and he is my pedagogue, so I should listen to him. It was difficult because I have a huge respect and love for the Mariinsky, most of my dearest teachers are former Mariinsky dancers and most of my best friends were accepting offers there.'
In a new academic year Academy accepted to the International Trainee program 21 students from Belgium, Canada, Croatia, Great Britain, Hungary, Italy, and Japan. 14 students are continuing their programs for the second year, 8 students are studying in the Academy for the third year and two boys - the fourth year in a row.
Raul Ferreira and Saya Okamoto (Japan).
Lea Thomasson and Oscar Frame.
Photos by V. Vasiliev and S. Avakuum.
Our fine arts were developed; their types and uses were established, in times very different from the present, by men whose power of action upon things was insignificant in comparison with ours. But the amazing growth of our techniques, the adaptability and precision they have attained, the ideas and habits they are creating, make it a certainty that profound changes are impending in the ancient craft of the Beautiful. In all the arts there is a physical component which cannot be considered or treated as it used to be, which cannot remain unaffected by our modern knowledge and power. In the last twenty years, neither matter nor space nor time has been what it was from time immemorial. We must expect innovations to transform the entire technique of the arts thereby affecting artistic invention itself and perhaps even bringing about an amazing change in our very notion of art. (Paul Valéry [« The Conquest of Ubiquity », 1928])
Not only has Information Technology (IT) been increasingly applied to our current lifestyle – it has actually become our way of living. The arts, as reflecting new processes and movements, inevitably react to recent changes. In what ways does innovation change the art forms we know and are used to? How naturally does IT find its way into our lives? What are the elements felt to be genuinely progressive, and what can we simply not take on, no matter what the circumstances?
These questions will be addressed at the international conference 'Information Technology in the arts' which will take place on November 16-18, 2017, in the context of the 6th Saint-Petersburg International Cultural Forum. It is organized by the Vaganova Ballet Academy and the Saint-Petersburg State University. The conference will deals with issues related to IT as applied to contemporary art forms, danceand teaching, with six different panels: IT and cultural industries; film and multimedia; IT in music and in contemporary composition; contemporary choreography and performance art; IT and teaching; and a round table will focus on transhumanism in culture and the arts. The main themes dealt with will be the following: IT in film, contemporary dance and multimedia; surround sound; virtual reality; interactivity; contemporary music; new sound space; computer-based compositions; new composition techniques; electroacoustic music; digital performance; experimental art; IT as applied to teaching creative disciplines; distance teaching; virtual education; IT in cultural industries.
Papers can be given in English, French or Russian.
Proposals must be submitted as a Word file (.doc), and must include the following:
– full name;
– country and institution;
– e-mail address;
– Title of paper;
– abstract (no more than 350 words).
Abstracts should include all the information necessary to allow the Programme Committee to assess both the originality of the argument and of the proposal and its potential as a conference paper. Following acceptance, abstracts can be changed in view of their publication in the conference programme.
Proposals should be submitted as attachments by email to email@example.com by September 30, 2017.
Everyone submitting a proposal will be sent a confirmation email; if this has not been received within five days, please send the proposal once again.
All those who have submitted a proposal will be notified of its acceptance or rejection by October 10, 2017.
Travel and living expenses are at the cost of the participants (both speakers and attenders).